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This is an accepted version of this page This is the latest accepted revision, reviewed on 7 March 2025. Cultural belief of 19th-century American expansionists For other uses, see Manifest Destiny (disambiguation). American Progress (1872) by John Gast is an allegorical representation of the modernization of the new west. Columbia, a personification of the United States, is shown leading ...
American Progress, a painting of profound historical significance, has become a seminal example of American Western Art.Serving as an allegory for manifest destiny and American westward expansion, this 11.50 by 15.75 inches (29.2 cm × 40.0 cm) masterpiece was commissioned in 1872 by George Crofutt, a publisher of American Western travel guides and has since been frequently reproduced.
(The Center Square) – President-elect Donald Trump has made international headlines by suggesting that Canada could become the 51st state and the U.S. could purchase Greenland. U.S. expansionist ...
Within the left half of the picture is a depiction of the entrance to the San Francisco Bay, the Golden Gate, which is being pointed to by the pilgrim seated atop the rock in the foreground. Within the right hemisphere of the painting is a depiction of a valley, representing the Valley of Darkness and symbolic of the troubles faced by explorers.
The 11th president transformed America in a single term. Trump lacks the discipline to do the same.
John Louis O'Sullivan (November 15, 1813 – March 24, 1895) was an American columnist, editor, and diplomat who coined the term "manifest destiny" in 1845 to promote the annexation of Texas and the Oregon Country to the United States. [1]
William Walker (May 8, 1824 – September 12, 1860) was an American physician, lawyer, journalist, and mercenary.In the era of the expansion of the United States, driven by the doctrine of "manifest destiny", Walker organized unauthorized military expeditions into Mexico and Central America with the intention of establishing colonies.
The West as America, Reinterpreting Images of the Frontier, 1820–1920 was an art exhibition organized by the Smithsonian American Art Museum (then known as the National Museum of American Art, or NMAA) in Washington, D.C. in 1991, featuring a large collection of paintings, photographs, and other visual art created during the period from 1820 to 1920 which depicted images and iconography of ...