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Three types of suboctave treble clef showing middle C C major scale, suboctave clef. Play ⓘ C major scale, "sopranino" clef. Play ⓘ (this is one octave higher than the treble clef without an 8) Starting in the 18th century, music for some instruments (such as guitar) and for the tenor voice have used treble clef, although they sound an ...
G clef (Treble clef) The spiral of a G clef (not a point on the spiral, but the center around which the spiral is drawn) shows where the G above middle C is located on the staff. A G clef with the spiral centered on the second line of the staff is called treble clef. [2] The treble clef is the most commonly encountered clef in modern notation ...
Unlike Western notation, Byzantine neumes used since the 10th century were always related to modal steps (same modal degree, one degree lower, two degrees higher, etc.) in relation to such a clef or modal key (modal signatures). Originally this key or the incipit of a common melody was enough to indicate a certain melodic model given within the ...
In Baroque music, G major was regarded as the "key of benediction". [1] Of Domenico Scarlatti's 555 keyboard sonatas, G major is the home key for 69, or about 12.4%, sonatas. In the music of Johann Sebastian Bach, "G major is often a key of 6 8 chain rhythms", according to Alfred Einstein, [2] although Bach also used the key for some 4
[9] [10] The key note or tonic of a piece in a major key is a semitone above the last sharp in the signature. [11] For example, the key of D major has a key signature of F ♯ and C ♯, and the tonic (D) is a semitone above C ♯. Each scale starting on the fifth scale degree of the previous scale has one new sharp, added in the order shown. [10]
By convention, the notes are ordered from lowest to highest. The standard tuning defines the string pitches as E, A, D, G, B, and E. Between the open-strings of the standard tuning are three perfect-fourths (E–A, A–D, D–G), then the major third G–B, and the fourth perfect-fourth B–E.
In Western tonal music, the simplest and most common type of modulation (or changing keys) is to shift from one major key to another key built on the first key's fifth (or dominant) scale degree. In the key of C major, this would involve moving to the key of G major (which uses an F ♯). Composers also often modulate to other related keys.
When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...