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In European academic traditions, fine art (or, fine arts) is made primarily for aesthetics or creative expression, distinguishing it from popular art, decorative art or applied art, which also either serve some practical function (such as pottery or most metalwork) or is generally of limited artistic quality in order to appeal to the masses.
The Art & Architecture Thesaurus states that "fine art photography" (preferred term) or "art photography" or "artistic photography" is "the movement in England and the United States, from around 1890 into the early 20th century, which promoted various aesthetic approaches.
An art magazine is a publication that focuses on the topic of art. They can be in printed form, found online or both and can be aimed at different audiences which includes galleries, art buyers, amateur or professional artists and the general public. Art magazines can be either trade or consumer magazines or both. Notable art magazines include:
The Studio International – an illustrated magazine of fine and applied art. 1893–1980. Illustrated. Only volumes out of copyright are held. The Wide World Magazine (Pub. by George Newnes). Travel and adventure magazine (1898–1965). Hundreds of b/w photos and drawings by top illustrators of the Victorian/ Edwardian period. Art International
The A. W. Mellon Lectures in the Fine Arts is an annual public lecture series, hosted by the National Gallery of Art in Washington, D.C., based on topics in the fine arts. Established in 1949 from an endowed gift from Ailsa Mellon Bruce and her brother, Paul Mellon , the series held its first lecture in 1952.
The Fine Arts Journal, published in Chicago from 1899 to 1919, [1] was an art magazine devoted to the fine arts and increasingly to the arts in the broadest sense. The editor to 1905 was Marian A. White, who sought to make the journal a vehicle "to promote and foster a love for art American in type and the work of the American artist in particular", but resigned when she felt the publisher was ...
ArtAsiaPacific is the longest running English-language periodical solely dedicated to covering contemporary art and culture from sixty-seven countries, territories, and Chinese Special Administrative Regions that it considers to be within Asia, the Pacific, and the Middle East.
The Studio: An Illustrated Magazine of Fine and Applied Art was an illustrated fine arts and decorative arts magazine published in London from 1893 until 1964. The founder and first editor was Charles Holme. The magazine exerted a major influence on the development of the Art Nouveau and Arts and Crafts movements.