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The album was the second in Cash's conceptual series of live prison albums that also included At Folsom Prison (1968), På Österåker (1973), and A Concert Behind Prison Walls (1976). The album was certified gold on August 12, 1969, platinum and double platinum on November 21, 1986, and triple platinum on March 27, 2003, by the RIAA .
Live at San Quentin may refer to: Live at San Quentin (B.B. King album), 1990; Live at San Quentin (Charles Manson album), 1993; See also.
Live at San Quentin is a 1990 live album by blues guitarist B.B. King performed at San Quentin State Prison in Marin County, California. [4] Track listing
At San Quentin: Legacy Edition (a/k/a Johnny Cash at San Quentin) Released: September 6, 1969 (broadcast); 1988 (VHS); November 14, 2006 (2xCD+DVD) Label: Granada Television/Vestron Video International/Columbia Music Video/Legacy Recordings; 1971 Man In Black: Live In Denmark 1971 (original title Johnny Cash i København)
Live at San Quentin Recorded on May 25, 1990 at San Quentin State Prison in Marin County, California. MCA Records MCAD-6455 — — — — 1991 Live at the Apollo Recorded on November 10, 1990 at the Apollo Theater in Harlem, New York. GRP Records GRD-9637 — — — — 1996 How Blue Can You Get? Classic Live Performances 1964-1994 ...
The live album På Österåker (At Österåker) was released in 1973. "San Quentin" was recorded with Cash replacing "San Quentin" with "Österåker". In 1976, a concert at Tennessee State Prison was videotaped for TV broadcast. It was posthumously released after Cash's death as a CD entitled A Concert Behind Prison Walls.
Haggard did other tribute albums to Bob Wills over the next 40 years. In 1973 he appeared on For the Last Time: Bob Wills and His Texas Playboys. In 1994, Haggard collaborated with Asleep at the Wheel and many other artists influenced by the music of Bob Wills on an album titled A Tribute to the Music of Bob Wills and the Texas Playboys. [80]
Riley B. King (September 16, 1925 – May 14, 2015), known professionally as B. B. King, was an American blues guitarist, singer, songwriter, and record producer. He introduced a sophisticated style of soloing based on fluid string bending, shimmering vibrato, and staccato picking that influenced many later electric guitar blues players.