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A pair of congas. Conga players perform on a tall, narrow, single-headed Cuban drum of African origin called the Tumbadora, or the Conga as it is internationally known. It is probably derived from the Congolese Makuta drums or Sikulu drums commonly played in Mbanza Ngungu, Congo.
The combination of congas and bongos was pioneered by Cándido Camero in New York City. [3] Most modern congas have a staved wooden or fiberglass shell and a screw-tensioned drumhead. Since the 1950s, congas are usually played in sets of two to four, except for traditional rumba and conga, in which each drummer plays one conga. The drums are ...
Requena, as well as the Vergara brothers, were instrumental in the technological improvement of bongos and congas. [33] Before the advent of mechanically tunable bongos and congas in the 1940s, both instruments used to be tuned with oil or kerosene lamps. The heat of the flame was used to contract the drumhead to achieve the desired sound. [33]
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Montalvo began playing bongo at the age of seven. He began playing bongo in the parks and with local bands. At the age of 17 he began playing professionally, first with Tony Pabon y La Protesta and Joey Pastrana. [3] He switched to the congas when he joined Julio Romero & the Latin Jazz All-Stars.
The macho bongo produces a high pitch, popping like sound and is referred to as the male bongo. [23] In contrast, the hembra bongo is considered the female of the pair and produces low, deep sounds. [23] The congas and bongos originated in Cuba among African slaves and are key instruments of the afro-Caribbean music genre. [23]