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Art for art's sake—the usual English rendering of l'art pour l'art (pronounced [laʁ puʁ laʁ]), a French slogan from the latter half of the 19th century—is a phrase that expresses the philosophy that 'true' art is utterly independent of all social values and utilitarian functions, be they didactic, moral, or political.
Yet, as soon as meaning is pinned down and the work no longer offers resistance to rationalization, the engagement is over and it is no longer active. While the notion appears contradictory, Heidegger is the first to admit that he was confronting a riddle—one that he did not intend to answer as much as to describe in regard to the meaning of art.
Starting in the mid-1890s, during the final decade of his life, Gérôme made at least four paintings personifying Truth as a nude woman, either thrown into, at the bottom of, or emerging from a well. The imagery arises from a translation of an aphorism of the philosopher Democritus, "Of truth we know nothing, for truth is in a well". [1]
The full meaning of an idea is self-apparent in its application. For example, the therapeutic value and effect of penicillin in relation to infections is proven in its administration. Although pragmatism is considered a valuable criterion, it must be used with caution and reservation, due to its potential for false positives. For example, a ...
Hence, the statement "p is an unknown truth" cannot be both known and true at the same time. Therefore, if all truths are knowable, the set of "all truths" must not include any of the form "something is an unknown truth"; thus there must be no unknown truths, and thus all truths must be known. This can be formalised with modal logic.
Perhaps better put, for "All Cretans are liars" to be a true statement, it does not mean that all Cretans must lie all the time. In fact, Cretans could tell the truth quite often, but still all be liars in the sense that liars are people prone to deception for dishonest gain.
(Reuters) -A work of art created by artificial intelligence without any human input cannot be copyrighted under U.S. law, a U.S. court in Washington, D.C., has ruled. Only works with human authors ...
[4] Although all concepts are metaphors invented by humans (created by common agreement to facilitate ease of communication), writes Nietzsche, human beings forget this fact after inventing them, and come to believe that they are "true" and do correspond to reality. [4] Thus Nietzsche argues that "truth" is actually: