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William Shakespeare's play Hamlet has contributed many phrases to common English, from the famous "To be, or not to be" to a few less known, but still in everyday English. Some also occur elsewhere (e.g. in the Bible) or are proverbial. All quotations are second quarto except as noted:
For Coleridge, Shakespeare depicted Hamlet's light of indecisiveness as resulting from an imbalance between the human attention to external objects, and inward thoughts, and thus suffered a paralysis of action because his faculty of vivid imagination overpowered his will and induced an aversion to actually enacting any measure.
is a phrase within a monologue by Prince Hamlet in William Shakespeare's play Hamlet. Hamlet is reflecting, at first admiringly, and then despairingly, on the human condition. The speech is recited at the end of the film Withnail and I and the text was set to music by Galt MacDermot for the rock opera Hair
The Hamlet of the supposed earlier play also uses his perceived madness as a guise to escape suspicion. Eliot believes that in Shakespeare's version, however, Hamlet is driven by a motive greater than revenge, his delay in exacting revenge is left unexplained, and that Hamlet's madness is meant to arouse the king's suspicion rather than avoid it.
In 1936 Andrew Cairncross suggested that, until more becomes known, it may be assumed that Shakespeare wrote the Ur-Hamlet. [17] Eric Sams lists reasons for supporting Shakespeare's authorship. [18] Harold Jenkins considers that there are no grounds for thinking that the Ur-Hamlet is an early work by Shakespeare, which he then rewrote. [19]
"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
Freud had originally linked the writing of Hamlet (with its oedipal subtext) to the death of Shakespeare's father in 1601, but had to abandon this view when he gave his support to the Oxfordian theory of Shakespeare authorship–something Jones always rejected in his study. [6]
Speak the speech" is a famous speech from Shakespeare's Hamlet (1601). [1] In it, Hamlet offers directions and advice to a group of actors whom he has enlisted to play for the court of Denmark. The speech itself has played two important roles independent of the play.