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Music critics consider "There Is a Light That Never Goes Out" to be one of the Smiths' finest songs. Simon Goddard wrote, "In a straw poll among Smiths fans today, 'There Is a Light That Never Goes Out' would more than likely still come out victorious", which he credits to the "perfect balance" of Marr's compositional skills and Morrissey's ...
The song's lyrics attracted controversy in the music press—Morrissey recalled an incident where a magazine, much to his dismay, falsely reported that he apologized to the Queen. [ 6 ] "The Queen Is Dead" appeared in the band's live setlists during this period, with Joyce reproducing the song's artificial drum intro live without tapes. [ 2 ]
Morrissey then completed the song by adding lyrics. Marr has stated that he "preferred the music to the lyrics". [12]: 405 "Frankly, Mr. Shankly", "I Know It's Over" and "There Is a Light That Never Goes Out" were written by Morrissey and Marr in a "marathon" writing session in the late summer of 1985 at Marr's home in Bowdon, Greater Manchester.
In their early years, the band purposely rejected synthesisers and dance music, [10] until Meat Is Murder, which contained keyboards as well as rockabilly and funk influences. [11] The Queen Is Dead was notable for featuring harder-rocking songs with witty, satirical lyrics of British social mores, intellectualism and class. [12]
"Bigmouth Strikes Again" was released as the lead single from the album, bypassing Rough Trade's preferred choice, "There Is a Light That Never Goes Out". The single reached number 26 in the UK Singles Chart and has since seen critical acclaim along with several versions recorded by other artists.
The lyrics relate the suicide by drowning of a young woman following an argument with the song's narrator. It has frequently been interpreted as a lesbian -themed song; Smith appeared to encourage this interpretation in her live performances, often introducing the song with "Redondo Beach is a beach where women love other women".
Andy Strickland in Record Mirror said, "Morrissey and Marr still can't quite get it together all the time, 'Never Had No One Ever' and 'Some Girls Are Bigger Than Others' bearing all the hallmarks of the familiar Smiths filler, where music and words hardly embrace," [5] while Nick Kent wrote, "'Vicar in a Tutu' and 'Some Girls Are Bigger Than ...
The band's instrumentation branched out as well, including synthesised saxophone, string arrangements on keyboards, and drum machine additions. Recording in the Wool Hall made the sessions more relaxed, as the wine cellar was fully stocked and producer Stephen Street came slowly to understand the idea that the writing partners Morrissey and ...