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Previous location of White Columns, at 320 West 13th Street, New York City. White Columns is New York City's oldest alternative non-profit art space. [1] White Columns is known as a showcase for up-and-coming artists, and is primarily devoted to emerging artists who are not affiliated with galleries. All work submitted is looked at by the director.
New York City Fire Museum: SoHo: Manhattan: Firefighting: Historical and modern firefighting vehicles, equipment, uniforms New York City Police Museum: Financial District: Manhattan: Law enforcement: Closed in 2014, plans unclear Harbor Defense Museum: Bay Ridge: Brooklyn Military Located in Fort Hamilton, 19th-century fort with exhibits of NY ...
They met in 1967, just before Sabarsky opened his Serge Sabarsky Gallery at 987 Madison Avenue. The gallery quickly earned a reputation as New York’s leading gallery for Austrian and German Expressionist art, and Lauder was a frequent visitor and client. Over the years, the two men discussed opening a museum to showcase the very best work ...
"Above Ground" the new exhibit at the Museum of the City of New York, showcases graffiti, that was once confined to the streets, now globally recognized. From the streets to art galleries: New NYC ...
291 is the commonly known name for an internationally famous art gallery that was located in Midtown Manhattan at 291 Fifth Avenue in New York City from 1905 to 1917. Originally called the " Little Galleries of the Photo-Secession ", the gallery was established and managed by photographer Alfred Stieglitz .
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Galerie St. Etienne is a New York art gallery specializing in Austrian and German Expressionism, established in Vienna in 1939 by Otto Kallir (originally Otto Nirenstein). In 1923, Kallir founded the Neue Galerie in Vienna. [1]
The 10th Street galleries was a collective term for the co-operative galleries that operated mainly in the East Village on the east side of Manhattan, in New York City in the 1950s and 1960s. The galleries were artist run and generally operated on very low budgets, often without any staff. Some artists became members of more than one gallery.