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The song is recognizable by its heavy fuzz bass line, and rapidly strummed, distorted guitar single notes. Tunde Adebimpe and David Andrew Sitek were the only TV on the Radio members to play on this track, with guest appearances from Nick Zinner of Yeah Yeah Yeahs on guitar and Katrina Ford of Celebration on backing vocals. [2] [3]
"Staring at the Sun" is a song by Irish rock band U2. It is the fifth track on their 1997 album, Pop , and was released by Island Records as the album's second single on 14 April 1997. The song peaked at number three on the UK Singles Chart , number one in Canada and Iceland and number 26 on the US Billboard Hot 100 .
In music theory, chord substitution is the technique of using a chord in place of another in a progression of chords, or a chord progression. Much of the European classical repertoire and the vast majority of blues, jazz and rock music songs are based on chord progressions. "A chord substitution occurs when a chord is replaced by another that ...
"Staring at the Sun" is a song by English indie rock band Rooster, featured on their 2005 debut self-titled album. Written by vocalist Nick Atkinson, guitarist Luke Potashnick and producer Steve Robson, the song was released as the second single from the album on 15 January 2005, reaching number five on the UK Singles Chart and number 33 on the Irish Singles Chart—the band's highest chart ...
"Don't Let the Sun Catch You Crying" is a song written by Gerry Marsden, Freddie Marsden, Les Chadwick and Les Maguire, the members of British beat group Gerry and the Pacemakers. It was first recorded and issued as a single by Louise Cordet in February 1964.
"Staring at the Sun", a song by Wendy & Lisa from Eroica, 1990 "Staring At the Sun", a song by White Lies from As I Try Not to Fall Apart , 2022 Staring at the Sun , a 2014 album by Anthony Head
In music, a stab is a single staccato note or chord that adds dramatic punctuation to a composition. Stabs may be provided by horns (real or synthesized)—a horn stab—or an orchestral sample—an orchestra hit—and usually occur on a 1-beat.
A block chord is a chord or voicing built directly below the melody either on the strong beats or to create a four-part harmonized melody line in "locked-hands" [1] rhythmic unison with the melody, as opposed to broken chords. This latter style, known as shearing voicing, was popularized by George Shearing, but originated with Phil Moore. [1]