Ads
related to: 1960s songs chords and lyrics for guitar
Search results
Results From The WOW.Com Content Network
"Hey Little Cobra" is a song released in 1963 by The Rip Chords about the Shelby Cobra. The song was produced by Terry Melcher and Bruce Johnston, who also sang vocals. [2] The song spent 14 weeks on the Billboard Hot 100 chart, peaking at No. 4, [3] while reaching No. 5 on Canada's CHUM Hit Parade [4] and No. 3 on New Zealand's "Lever Hit ...
Theme from A Summer Place" by Percy Faith was the number one song of 1960. Bobby Rydell had four songs on the Year-End Hot 100. Brenda Lee had four songs on the Year-End Hot 100. Connie Francis had four songs on the Year-End Hot 100. The Everly Brothers had four songs on the Year-End Hot 100. This is a list of Billboard magazine's Top Hot 100 ...
Cobbs' song uses Bo Diddley's guitar riff and melody, as well as many of the lyrics, including the key "you don't love me, you don't love me I know" line. [9] A review in Billboard magazine noted, "While this is a traditional blues in form, the unusual, almost exotic, arrangement with its hypnotic beat combined with Bo Diddley's anguished vocal takes this far out of the range of the ordinary ...
The Rip Chords were an early-1960s American vocal group, originally known as the Opposites, composed of Ernie Bringas and Phil Stewart. [1] The group eventually expanded into four primary voices, adding Columbia producer Terry Melcher and co-producer Bruce Johnston (best known as a member of the Beach Boys ).
A list of musical groups and artists who were active in the 1960s and associated with music in the decade This is a dynamic list and may never be able to satisfy particular standards for completeness.
Earlier related songs include "All I Want Is a Spoonful" by Papa Charlie Jackson (1925) and "Cocaine Blues" by Luke Jordan (1927). The lyrics relate men's sometimes violent search to satisfy their cravings, with "a spoonful" used mostly as a metaphor for pleasures, which have been interpreted as sex, love, and drugs: [4]
Ritchie Valens' 1958 hit "La Bamba" helped jump-start the Chicano rock scene in Southern California and provided a three-chord template for the songs of numerous 1960s garage bands. [54] By the end of the 1950s regional scenes were abundant around the country and helped set the stage for garage rock the 1960s. [55]
The song ends with the words "cherish is the word," over a sustained vibrato electric guitar chord. The song is noted for its use of the Chimes, which are imitated by the backup members of the Association, heard in Intro, the first 2 verses, as well as in the second Bridge sections