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The Flower Festival in Genzano (Danish: Blomsterfesten i Genzano) is a one-act ballet by Danish choreographer and ballet master August Bournonville (1805–1879). Bournonville created the work for Denmark's Royal Ballet on December 19, 1858, at the Royal Danish Theatre , on the basis of Danes' general enthusiasm for Italy.
The programme of the ballet was created by L. I. Ivanov and me together, (but) the production of the dances and the mise-en-scène belong exclusively to me; Mr. L. I. Ivanov had no part in them. [1] The ballerina Anna Pavlova included an abridged version of Le Réveil de Flore in the repertory of her touring
] As late as the 1950s a ballerina was the principal female dancer of a ballet company who was also very accomplished in the international world of ballet, especially beyond her own company; female dancers who danced ballet were then called danseuses or simply ballet dancers—that is, ballerina was a critical accolade bestowed on relatively ...
Sarah Bernhardt as Hamlet. Travesti is a theatrical character in an opera, play, or ballet performed by a performer of the opposite sex.. For social reasons, female roles were played by boys or men in many early forms of theatre, and travesti roles continued to be used in several types of context even after actresses became accepted on the stage.
The sculptor Emile Thomas made a statuette of Giselle in her act 2 costume. A silk cloth was manufactured called façonné Giselle, and Madame Lainné, a milliner, sold an artificial flower called 'Giselle'. The ballet was parodied at the Théâtre du Palais-Royal in October 1841. [30]
Rudolf Khametovich Nureyev [a] (17 March 1938 – 6 January 1993) was a Soviet-born ballet dancer and choreographer. Nureyev is widely regarded as the most preeminent male ballet dancer of his generation as well as one of the greatest ballet dancers of all time.
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The Red Poppy (Russian: Красный мак, romanized: Krasniy mak) or sometimes The Red Flower (Russian: Красный цветок, romanized: Krasniy tsvetok) is a ballet in three acts and eight tableaux with an apotheosis, with a score written by Reinhold Glière and libretto by Mikhail Kurilko.