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Films worldwide began to noticeably adopt visual and narrative elements which would be found in classical Hollywood cinema. 1913 was a particularly fruitful year for the medium, as pioneering directors from several countries produced films such as The Mothering Heart (D. W. Griffith), Ingeborg Holm (Victor Sjöström), and L'enfant de Paris ...
The Fall of the House of Usher (1928 American film) Film in Which There Appear Edge Lettering, Sprocket Holes, Dirt Particles, Etc. Fish Heads Fugue and Other Tales for Twilight; Flushing Meadows (film) Fog Line; Frank Film; Free Radicals (1979 film) Furies (1977 film)
The Life and Death of 9413 - A Hollywood Extra: Robert Florey, Slavko Vorkapich: Jules Raucourt, George Voya: United States: Ultra low budget anti-Hollywood film [93] [94] The Love of Zero: Robert Florey: Anielka Elter, Captain Marco Elter: United States [90] Les nuits électriques: Eugène Deslaw: France: Semi-abstract art film of neon signs [95]
U2 3D was the first live-action film to be shot, posted, and exhibited entirely in 3D, [129] the first live-action digital 3D film, [130] and the first 3D concert film. [131] Regarding its production, it was the first 3D film shot using a zoom lens , [ 132 ] an aerial camera , [ 133 ] and a multiple-camera setup . [ 130 ]
The exhibition of films changed from short one-reel programmes to feature films. Exhibition venues became larger and began charging higher prices. [77] In the United States, these changes brought destruction to many film companies, the Vitagraph company being an exception. Film production began to shift to Los Angeles during World War I.
While the early New Hollywood films like Bonnie and Clyde and Easy Rider had been relatively low-budget affairs with amoral heroes and increased sexuality and violence, the enormous success enjoyed by Friedkin with The Exorcist, Spielberg with Jaws, Coppola with The Godfather and Apocalypse Now, Scorsese with Taxi Driver, Kubrick with 2001: A ...
This is a list of film directorial debuts in chronological order. The films and dates referred to are a director's first commercial cinematic release.Many filmmakers have directed works which were not commercially released, for example early works by Orson Welles such as his filming of his stage production of Twelfth Night in 1933 or his experimental short film The Ace of Spades in 1934.
The Learning Corporation of America was mostly owned by Columbia between 1968 and 1975 (although the company continued through the early '90s), being responsible for many short educational films for schools (often 16mm), along with TV specials and theatrical shorts like the award-winning Angel and Big Joe (1975).