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Old-school hip hop (also spelled old skool) (also known as disco-rap) is the earliest commercially recorded hip hop music and the original style of the genre. It typically refers to the music created around 1979 to 1983, [ 1 ] as well as any hip hop that does not adhere to contemporary styles.
On September 16, 1979, The Sugarhill Gang released the single Rapper's Delight, which became the first commercially successful hip-hop song. It was the first rap song to appear on the Billboard Hot 100, reaching number 37, and peaked at number 4 on the R&B charts. [5] It is often mistaken as the first recorded hip hop song. [1]
According to music journalist Steven Ivory, in 1973, Herc placed on the turntables two copies of Brown's 1970 Sex Machine album and ran "an extended cut 'n' mix of the percussion breakdown" from "Give It Up or Turnit a Loose", signaling the birth of hip hop. [26]
Much as Liquid Liquid’s “Cavern” built an early bridge between hip-hop and underground New York rock, Bronx dance-punk band ESG’s 1981 song “UFO” became an unlikely rap staple which ...
The Sugar Hill Gang appeared on the syndicated Soap Factory Disco Show in late 1979, and their performance later became the song's official music video. [19] The group's performance on the Palisades Park-based program demonstrates the significant overlap between early hip-hop and disco of the late 1970s. Alternate music videos exist as well.
The series takes place in 1977 New York City and follows the genesis of the DJing, B-boying, graffiti, and emceeing, the four element cultures of hip-hop. After the premiere of The Get Down, Netflix premiered Hip-Hop Evolution, a music documentary discussing the history of hip hop in which Grandmaster Flash talks about the evolution of his art.
Northwest rap label NastyMix was a hip-hop hit machine. Sir Mix-A-Lot’s early singles, “Posse on Broadway,” “Iron Man,” and “My Hooptie” were on MTV, BET, radio, and the charts.
The idea of mixtapes was conceived in the early 1970s with the genesis of hip-hop. In the 1970s, DJs such as Grandmaster Flash and the Furious Five, Afrika Bambaataa, and DJ Hollywood would often distribute recordings of their club performances through cassette tapes, bringing a wider audience to the hip-hop sound. [8]