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The outline of the face is made by the character ji, its two short strokes forming the ear or cheek. Henohenomoheji is often used to symbolize a nondescript or generic human face, such as the faces of kakashi ( scarecrows ) [ 1 ] and teru teru bōzu .
A figure drawing is a drawing of the human form in any of its various shapes and postures, using any of the drawing media. The term can also refer to the act of producing such a drawing . The degree of representation may range from highly detailed, anatomically correct renderings to loose and expressive sketches.
Visage Painting and the Human Face in 20th Century Art was a major international overview of painting and the face held in 2000 at the National Museum of Western Art in Tokyo and at the National Museum of Modern Art, Kyoto, curated by National Museum of Modern Art, Tokyo. It included works by:
Human proportions marked out in an illustration from a 20th-century anatomy text-book. Hermann Braus, 1921 Drawing of a human male, showing the order of measurement in preparation for a figurative art work (Lantéri, 1903) [1] It is usually important in figure drawing to draw the human figure in proportion.
Chiaroscuro – using strong contrasts between light and dark to achieve a sense of volume in modeling three-dimensional objects such as the human body. Gesture Drawing - loose drawing or sketching with the wrists moving, to create a sense of naturalism of the line or shape, as opposed to geometric or mechanical drawing; Grisaille –
By this method, body diagrams can be derived by pasting organs into one of the "plain" body images shown below. This method requires a graphics editor that can handle transparent images, in order to avoid white squares around the organs when pasting onto the body image.
The face is the front of an animal's head that features the eyes, nose and mouth, and through which animals express many of their emotions. [1] [2] The face is crucial for human identity, and damage such as scarring or developmental deformities may affect the psyche adversely.
However, the Moon orientation associated with the face is observed less frequently—and eventually not at all—as one moves toward the South Pole. Conventionalized illustrations of the Man in the Moon seen in Western art often show a very simple face in the full moon, or a human profile in the crescent moon, corresponding to no actual markings.