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The Nashville sound is a subgenre of American country music that originated in the 1950s in Nashville, Tennessee. It replaced the dominance of the rough honky tonk music with "smooth strings and choruses", "sophisticated background vocals" and "smooth tempos" associated with traditional pop .
William Owen Bradley (October 21, 1915 [1] – January 7, 1998) [2] was an American musician, bandleader and record producer who, along with Chet Atkins, Bob Ferguson, Bill Porter, and Don Law, was a chief architect of the 1950s and 60s Nashville sound in country music and rockabilly.
RCA Studio B was a music recording studio in Nashville, Tennessee established in 1957 by Steve Sholes and Chet Atkins for RCA Victor.Originally known simply as the RCA Victor Studio, in 1965 the studio was designated as Studio B after RCA Victor built the newer, larger Studio A in an adjacent building.
He popularized "The Nashville Sound." Bobby Bare is an American outlaw country music singer and songwriter, best known for the songs "Marie Laveau", "Detroit City" and "500 Miles Away From Home" and is the father of Bobby Bare Jr., also a musician. Joe Carson, singer started in late 1950s Rockabilly and crossed to country. Died early 1960s.
The 1950s were one of country music's most influential decades, with artists such as Johnny Cash, Hank Williams, and Patsy Cline being some of the decade's most notable. The honky-tonk style of country music remained heavily popular during the decade, and the late 1950s gave rise to the Nashville sound. [6]
The Nashville Sounds are a Minor League Baseball team of the International League and the Triple-A affiliate of the Milwaukee Brewers.They are located in Nashville, Tennessee, and are named for the city's association with the music industry, specifically the "Nashville sound", a subgenre of country music which originated in the city in the mid-1950s.
He worked Nashville as a trumpeter and band-leader in the 1950s and 1960s. He was a trumpeter in the orchestra assembled by Owen Bradley to create the Nashville sound on Jim Reeves' recordings. Reeves' biographer noted that, unlike many session musicians, McElhiney and the others could read music and helped contribute to the Reeves' sound: "The ...
He called the expansion team the Nashville Sounds, a play on the term "Nashville sound", a subgenre of American country music that traces its roots to the area in the late-1950s. [ 25 ] [ 26 ] Nashville's original logo, which was used from 1978 into 1998, and was initially sketched by Schmittou, reflected the city's association with the country ...