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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Dante has several personification characters, but prefers using real persons to represent most sins and virtues. [35] In Elizabethan literature many of the characters in Edmund Spenser's enormous epic The Faerie Queene, though given different names, are effectively personifications, especially of virtues. [36]
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A national personification is an anthropomorphic personification of a state or the people(s) it inhabits. It may appear in political cartoons and propaganda . In the first personifications in the Western World , warrior deities or figures symbolizing wisdom were used (for example the goddess Athena in ancient Greece), to indicate the strength ...
Personification is the related attribution of human form and characteristics to abstract concepts such as nations, emotions, and natural forces, such as seasons and weather. Both have ancient roots as storytelling and artistic devices, and most cultures have traditional fables with anthropomorphized animals as characters.
A musical figure or figuration is the shortest idea in music; a short succession of notes, often recurring. It may have melodic pitch , harmonic progression , and rhythmic meter . The 1964 Grove's Dictionary defines the figure as "the exact counterpart of the German 'motiv' and the French 'motif ' ": it produces a "single complete and distinct ...
In music, modernism is an aesthetic stance underlying the period of change and development in musical language that occurred around the turn of the 20th century, a period of diverse reactions in challenging and reinterpreting older categories of music, innovations that led to new ways of organizing and approaching harmonic, melodic, sonic, and rhythmic aspects of music, and changes in ...
The 19th century music educator Pierre Galin developed a method of notating music known as the Galin-Paris-Chevé system, building on a notation system created in the 18th century by Jean-Jacques Rousseau. This system used numbers to indicate scale degrees, and used dots either above or below the note to indicate if they were in the lowest ...