Ad
related to: burma padauk wood pictures
Search results
Results From The WOW.Com Content Network
Pterocarpus indicus (commonly known as Amboyna wood, Malay padauk, Papua New Guinea rosewood, Philippine mahogany, Andaman redwood, Burmese rosewood, narra [3] (from Tagalog [4]) and asana in the Philippines, angsana, or Pashu padauk) is a species of Pterocarpus of the Sweet Pea Family (Papilionaceae) native to southeastern Asia, northern Australasia, and the western Pacific Ocean islands, in ...
Pterocarpus macrocarpus, or Burma padauk, [3] is a tree native to the seasonal tropical forests of southeastern Asia: in Myanmar, Laos, Cambodia, Thailand, and Vietnam. [ 2 ] [ 4 ] [ 5 ] It has been naturalized in India and the Caribbean.
The padauk found most often is African padauk from P. soyauxii which, when freshly cut, is a very bright red/orange but when exposed to sunlight fades over time to a warm brown. Its colour makes it a favourite among woodworkers. Burmese padauk (ပိတောက်) is P. macrocarpus while Andaman padauk is P. dalbergioides.
Padauk wood is sturdier than teak and is widely used for furniture making. There are burr wood and buttress root formations in Andaman Padauk. The largest piece of buttress known from Andaman was a dining table of 13 ft × 7 ft (4.0 m × 2.1 m). The largest piece of burr wood was made into a dining table for eight.
This wood is known commercially in the West as "padauk". Zitan wood: 紫檀木: Dalbergia, Pterocarpus: Wood from Dalbergia nigra, a burgundy-black wood that oxidizes into a purple-black colour. Highly valued.
Pashu language, a Malay-based creole patois spoken in Kawthaung, Myanmar (Burma). Pterocarpus indicus , a tree and its wood also known as Pashu padauk or Malay padauk . Kiasu , a Singlish and Manglish concept referring to niggardly, rude or ungrateful behavior driven by competitive pressure.
Pterocarpus dalbergioides, the Andaman padauk, Andaman redwood or East Indian mahogany, is a species of flowering plant in the family Fabaceae. It is sometimes called "narra" , but this is just a generic term used for any of several Pterocarpus species.
Trade with India during the Pyu period brought deep cultural contacts heavily influencing many aspects of visual culture in Myanmar. However, scholarship and archaeology on Pyu, Mon and Dvaravati art in neighbouring Thailand were biased by colonial attitudes in the 20th century, placing a greater emphaisis on comparisons to well-documented Gupta art.