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Moonstar88 was formed in February 1999. [1] They were signed to Sony BMG by 2006, and later to Ivory Records in 2012. [2] Previously under Backbeat Management, [3] they are now with Soupstar Management under Darwin Hernandez which also handles other bands including Sandwich, Callalily, 6cyclemind, Pedicab.
[6] [7] Alongside "Torete" and "Sulat", "Migraine" is generally considered as one of Moonstar88's most popular songs. [ 8 ] [ 9 ] [ 10 ] In December 2012, Moonstar88 released an acoustic version of "Migraine" on their album This Year .
She is the most popular for performing the song "Torete" with her former band Moonstar88. But as a solo artist, she has also become famous for singing the English version of One Love, the theme song to the hit Korean television drama Spring Waltz. [2] In 2007, Acel released her first album as a solo artist entitled Silver Lining. [3]
A few years after the dissolution of the Eraserheads, Buddy Zabala continues to be a prolific musician. He played bass for The Dawn until joining MoonStar 88 in 2016 and, of course, the renamed Eheads, Cambio. Intervening bands in which he was played were the Sun Valley Crew (together with fellow Eraserhead, Raimund Marasigan) and Twisted Halo ...
An example: Dieterich Buxtehude's O dulcis Jesu (BuxWV 83) in full score using tablature Keyboard tablature is a form of musical notation for keyboard instruments.Widely used in some parts of Europe from the 15th century, it co-existed with, and was eventually replaced by modern staff notation in the 18th century.
Values in bold are exact on an idealized standard piano. Keys shaded gray are rare and only appear on extended pianos. The normal 88 keys were numbered 1–88, with the extra low keys numbered 89–97 and the extra high keys numbered 98–108. A 108-key piano that extends from C 0 to B 8 was first built in 2018 by Stuart & Sons. [4]
In music, the dominant 7 ♯ 9 chord [1] ("dominant seven sharp nine" or "dominant seven sharp ninth") is a chord built by combining a dominant seventh, which includes a major third above the root, with an augmented second, which is the same pitch, albeit given a different note name, as the minor third degree above the root.
The chord is found in several works by Chopin, from as early as 1828, in the Sonata in C minor, Op. 4 and his Scherzo No. 1, composed in 1830. [2] It is only in late works where tonal ambiguities similar to Wagner's arise, as in the Prelude in A minor, Op. 28, No. 2, and the posthumously published Mazurka in F minor, Op. 68, No. 4.