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Moonstar88 was formed in February 1999. [1] They were signed to Sony BMG by 2006, and later to Ivory Records in 2012. [2] Previously under Backbeat Management, [3] they are now with Soupstar Management under Darwin Hernandez which also handles other bands including Sandwich, Callalily, 6cyclemind, Pedicab.
Download as PDF; Printable version; In other projects Wikidata item; Appearance. move to sidebar hide ... IV-V-I-vi chord progression in C major: 4: Major I–V–vi ...
She is the most popular for performing the song "Torete" with her former band Moonstar88. But as a solo artist, she has also become famous for singing the English version of One Love, the theme song to the hit Korean television drama Spring Waltz. [2] In 2007, Acel released her first album as a solo artist entitled Silver Lining. [3]
[6] [7] Alongside "Torete" and "Sulat", "Migraine" is generally considered as one of Moonstar88's most popular songs. [ 8 ] [ 9 ] [ 10 ] In December 2012, Moonstar88 released an acoustic version of "Migraine" on their album This Year .
A few years after the dissolution of the Eraserheads, Buddy Zabala continues to be a prolific musician. He played bass for The Dawn until joining MoonStar 88 in 2016 and, of course, the renamed Eheads, Cambio. Intervening bands in which he was played were the Sun Valley Crew (together with fellow Eraserhead, Raimund Marasigan) and Twisted Halo ...
An example: Dieterich Buxtehude's O dulcis Jesu (BuxWV 83) in full score using tablature Keyboard tablature is a form of musical notation for keyboard instruments.Widely used in some parts of Europe from the 15th century, it co-existed with, and was eventually replaced by modern staff notation in the 18th century.
Example of piano tone clusters. The clusters in the upper staff—C ♯ D ♯ F ♯ G ♯ —are four successive black keys. The last two bars, played with overlapping hands, are a denser cluster. A tone cluster is a musical chord comprising at least three adjacent tones in a scale.
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11).