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The Return of the Prodigal Son (1773) by Pompeo Batoni. The Parable of the Prodigal Son (also known as the parable of the Two Brothers, Lost Son, Loving Father, or of the Forgiving Father; Greek: Παραβολή του Ασώτου Υιού, romanized: Parabolē tou Asōtou Huiou) [1] [2] is one of the parables of Jesus in the Bible, appearing in Luke 15:11–32.
The Prodigal Son, also known as Two Sons, Lost Son, the Prodigal Father, [15] the Running Father, [16] and the Loving Father, the third and final part of the cycle on redemption, also appears only in Luke's Gospel (verses 11-32). It tells of a father who gives the younger of his two sons his share of the inheritance before he dies.
Albrecht Dürer made a famous engraving of the Prodigal Son amongst the pigs (1496), a popular subject in the Northern Renaissance, and Rembrandt depicted the story several times, although at least one of his works, The Prodigal Son in the Tavern, a portrait of himself as the Son, revelling with his wife, is like many artists' depictions, a way ...
The Parable of the Prodigal Son is a parable of Jesus in the Bible. The Prodigal Son or Prodigal Son may also refer to: Film. L'Enfant prodigue (The ...
Jesus and John the Baptist (15th century). The Parable of the Two Sons is a parable told by Jesus in the New Testament, found in Matthew (Matthew 21:28–32).It contrasts the tax collectors and prostitutes who accepted the message taught by John the Baptist with the ostensibly religious people who did not.
The Return of the Prodigal Son) is a short story by André Gide. Gide wrote the story in early 1907. It is based on the Biblical parable of the prodigal son. The story begins with the prodigal son returning home, not repentant, but hungry, poor, and frustrated at having failed to achieve his goal.
Dives in misericordia (Latin: Rich in Mercy) is the name of the second encyclical written by Pope John Paul II. [1] It is a modern examination of the role of mercy—both God's mercy, and also the need for human mercy—introducing the biblical parable of the Prodigal Son as a central theme.
Joel B. Green notes that "the woman described is a poor peasant", and the ten silver coins, corresponding to ten days' wages, "likely represent the family savings". [2] The coins may also have been the woman's dowry, worn as an ornament.