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"Rip Van Winkle" (Dutch pronunciation: [ˈrɪp fɑŋ ˈʋɪŋkəl]) is a short story by the American author Washington Irving, first published in 1819. It follows a Dutch-American villager in colonial America named Rip Van Winkle who meets mysterious Dutchmen, imbibes their strong liquor and falls deeply asleep in the Catskill Mountains.
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Download as PDF; Printable version; ... Works based on Rip Van Winkle (1 C, 2 P) ... The Sketch Book of Geoffrey Crayon, Gent.
The Sketch Book introduced three of Irving's most enduring and iconic characters, Rip Van Winkle, Ichabod Crane, and the Headless Horseman. One of the most significant influences of The Sketch Book came from its cycle of five Christmas stories, portraying an idealized and old-fashioned Yule celebration at an English country manor.
A time slip is a plot device in fantasy and science fiction in which a person, or group of people, seem to travel through time by unknown means. [12] [13] The idea of a time slip has been used in 19th century fantasy, an early example being Washington Irving's 1819 Rip Van Winkle, where the mechanism of time travel is an extraordinarily long sleep. [14]
Fred Leslie as Rip Van Winkle, 1882. Rip Van Winkle is an operetta in three acts by Robert Planquette.The English language libretto by Henri Meilhac, Philippe Gille and Henry Brougham Farnie was based on the short stories "The Legend of Sleepy Hollow" (1820) and "Rip Van Winkle" (1819) by Washington Irving after the play by Dion Boucicault and Joseph Jefferson.
Although acknowledged as an accomplished black-and-white book illustrator for some years, it was the publication of his full-colour plates to Washington Irving's Rip Van Winkle by Heinemann in 1905 that particularly brought him into public attention, his reputation being confirmed the following year with J.M.Barrie's Peter Pan in Kensington ...
The Return of Rip Van Winkle, painting by John Quidor, 1849. Sometimes, as in Washington Irving's Sketch Book, which contains "The Legend of Sleepy Hollow" and "Rip Van Winkle" among others, the conceit is that the author of the book is not the real author but a fictional character, in this case a man named Crayon. Here the frame includes the ...