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  2. Dumble Amplifiers - Wikipedia

    en.wikipedia.org/wiki/Dumble_Amplifiers

    Steve Kimock – 50-watt and 100-watt Dumble Overdrive Specials [34] Ben Harper – 3 × Overdrive Specials (50w head + 2×12" Cabinet, 100/50w 1×12" Combo, 100/40w Head + matching 1×12" Cabinet) [ 35 ] In March 2016, Harper explained that Dumble had him plug his guitar directly into the oscilloscope so he could note the frequency patterns of ...

  3. Vox AC50 - Wikipedia

    en.wikipedia.org/wiki/Vox_AC50

    The later MKII and MKIII models have 4 channels to meet the varied input needs of musicians. While the amp's output provided larger sound than the Vox AC30, the tube design called for two EL34 output tubes to achieve the power needed for tonal clarity. The preamp tubes were consistently one ECC82 (12AU7) tube and three ECC83 (12AX7) tubes.

  4. Peavey 5150 - Wikipedia

    en.wikipedia.org/wiki/Peavey_5150

    Peavey 6505 head and cab. The Peavey 5150 is a vacuum tube based guitar amplifier made by Peavey Electronics from 1992 on. The amplifier was initially created as a signature model for Eddie Van Halen. After Van Halen and Peavey parted ways in 2004, the name was changed to Peavey 6505 in celebration of Peavey's 40th anniversary (1965–2005).

  5. Guitar amplifier - Wikipedia

    en.wikipedia.org/wiki/Guitar_amplifier

    The human ear perceives a 5-watt amplifier as half as loud as a 50-watt amplifier (a tenfold increase in power), and a half-watt amplifier is a quarter as loud as a 50-watt amp. Doubling the output power of an amplifier results in a just noticeable increase in volume, so a 100-watt amplifier is only just noticeably louder than a 50-watt amplifier.

  6. Marshall Amplification - Wikipedia

    en.wikipedia.org/wiki/Marshall_Amplification

    In 1967, Marshall released a 50-watt version of the 100-watt Superlead known as the 1987 Model. In 1969, the plexiglass panel was replaced by a brushed metal front panel. Other early customers included Pete Townshend and John Entwistle of The Who, whose search for extra volume led Marshall to design the classic 100-watt valve amplifier. [18]

  7. Vox AC30 - Wikipedia

    en.wikipedia.org/wiki/Vox_AC30

    As the amp is designed to replicate May's tone, there are no controls on the amp except for a single volume control, though a switch enables the user to halve the number of output valves (therefore reducing the output to 15 watts as well as the volume, making it more suitable for home use), and there is a boost function operated from the ...