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Plot is the cause‐and‐effect sequence of main events in a story. [1] Story events are numbered chronologically while red plot events are a subset connected logically by "so". In a literary work, film, or other narrative, the plot is the sequence of events in which each event affects the next one through the principle of cause-and-effect ...
The plot is usually placed in a self-contained section (designated by == Plot == or sometimes == Synopsis ==). By convention, story plots are written in the narrative present—that is, in the present tense, matching the way that the story is experienced. [2] If it makes the plot easier to explain, events can be reordered. [3]
Story structure or narrative structure is the recognizable or comprehensible way in which a narrative's different elements are unified, including in a particularly chosen order and sometimes specifically referring to the ordering of the plot: the narrative series of events, though this can vary based on culture.
This worsens in the nightmare stage, which is the climax of the plot, where hope is apparently lost. Finally, in the resolution, the hero overcomes his burden against the odds. The key thesis of the book: "However many characters may appear in a story, its real concern is with just one: its hero.
It’s a familiar plot — with some noticeable tweaks, perhaps most notably a different setting that introduces the politics of Greek life into the step-siblings’ twisted tale.
Storytelling can be seen as a foundation for learning and teaching. While the story listener is engaged, they are able to imagine new perspectives, inviting a transformative and empathetic experience. [27] This involves allowing the individual to actively engage in the story as well as observe, listen and participate with minimal guidance. [28]
Narration is the use of a written or spoken commentary to convey a story to an audience. [1] Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events.
The coverage of a fictional work should not be a mere plot summary. A summary should facilitate substantial coverage of the work's real-world development, reception, and significance. This means that an article about a work of fiction or elements from such works should not solely be a summary of the primary and tertiary sources , they should ...