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Professional mentalists generally do not mix "standard" magic tricks with their mental feats. Doing so associates mentalism too closely with the theatrical trickery employed by stage magicians. Many mentalists claim not to be magicians at all, arguing that it is a different art form altogether.
Billet reading, or the envelope trick, is a mentalist effect in which a performer pretends to use clairvoyance to read messages on folded papers or inside sealed envelopes. It is a widely performed "standard" of the mentalist craft since the middle of the 19th century.
Invisible touch is a prop based trick which requires a magician to use an invisible thread, a clear elastic thread which is difficult for the naked eye to see even in close proximity. The magician may wave his hand around the mark with no visual cues of contact or touch a different person only to have a visually untouched person feel the effects.
Thirteen Steps to Mentalism is a book on mentalism by Tony Corinda. It was originally published as thirteen smaller booklets as a course in mentalism and was later republished as a book [1] in 1961. The book is now considered by most magicians to be a classical text on mentalism. [citation needed]
President Franklin D. Roosevelt invited Dunninger to the White House on a number of occasions to demonstrate his mentalist skills. [2] Dunninger was a debunker of fraudulent mediums. [2] He claimed to replicate through trickery all spiritualist phenomena. [3] He wrote the book Inside the Medium's Cabinet (1935
Magic historians consider Reese to have been an expert mentalist. In 1938, magic historian John Mulholland noted that "Reese was extraordinarily clever in misleading and confusing his subjects regarding what really happened... he was an extraordinary sleight-of-hand performer; certainly nothing more.” [4] In 1950, magician Joseph Rinn revealed the billet reading tricks of Reese.
The mentalist memorizes a single word or passage from one of the books prior to the performance, the force book. They may also ask the spectator to choose a book from their own bookshelf, and then quickly reads a passage from it while the spectator is occupied selecting a second book from the shelf. [10]
The second example is a classic example of a book test, a trick that goes back hundreds of years. In the book test, some sort of method is used so that the same passage is selected every time. In some variations, this is accomplished with trick books, in others, some sort of magician's force is used. The complex method of selecting the passage ...