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Poems, by Alfred Tennyson, was a two-volume 1842 collection in which new poems and reworked older ones were printed in separate volumes.It includes some of Tennyson's finest and best-loved poems, [1] [2] such as Mariana, The Lady of Shalott, The Palace of Art, The Lotos Eaters, Ulysses, Locksley Hall, The Two Voices, Sir Galahad, and Break, Break, Break.
Alfred Tennyson, 1st Baron Tennyson FRS (/ ˈ t ɛ n ɪ s ən /; 6 August 1809 – 6 October 1892) was an English poet. He was the Poet Laureate during much of Queen Victoria's reign. In 1829, Tennyson was awarded the Chancellor's Gold Medal at Cambridge for one of his first pieces, "Timbuktu".
The poem was inspired by Charlotte Rosa Baring, younger daughter of William Baring (1779–1820) and Frances Poulett-Thomson (d. 1877). Frances Baring married, secondly, Arthur Eden (1793–1874), Assistant-Comptroller of the Exchequer, and they lived at Harrington Hall, Spilsby, Lincolnshire, which is the garden of the poem (also referred to as "the Eden where she dwelt" in Tennyson's poem ...
The volume had the following title-page: Poems, Chiefly Lyrical, by Alfred Tennyson. London: Effingham Wilson, Royal Exchange, 1830. [ 3 ] Favourable reviews appeared by Sir John Bowring in the Westminster , by Leigh Hunt in the Tatler , and by Arthur Hallam in the Englishman's Magazine .
The poem was later published in his 1842 collection of poetry. [3] The poem's combination of dark humour, imagery and sympathy for the hero was unique in relationship to the previous works Tennyson published before 1842. [4] Tennyson, at the end of his life in 1892, returned to the idea and followed "St. Simeon Stylites" with the poem "St ...
In his poem, "The Charge of the Light Brigade" (1854), Tennyson dubbed this hollow "The Valley of Death". The opposing Russian forces were commanded by Pavel Liprandi . According to an estimate by Nicholas Woods , correspondent of The Morning Post , the forces at his disposal amounted to 25,000 infantry and 4,000 cavalry, supported by 30 or 40 ...
The poem uses the image of a flowering plant - specifically that of a chasmophyte rooted in the wall of the wishing well - as a source of inspiration for mystical/metaphysical speculation [1] and is one of multiple poems where Tennyson touches upon the topic of the relationships between God, nature, and human life.
As a man of the Victorian age (1837–1901) and as a poet, Tennyson addressed the intellectual matters of his day, such as the theory of the transmutation of species presented in the anonymously published book Vestiges of the Natural History of Creation (1844), a speculative natural history about the negative theological implications of Nature ...