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Transformational theory is a branch of music theory developed by David Lewin in the 1980s, and formally introduced in his 1987 work, Generalized Musical Intervals and Transformations. The theory, which models musical transformations as elements of a mathematical group , can be used to analyze both tonal and atonal music .
The selection and organization of shots into a series, usually in the interest of creating larger cinematic units. Adding music is also a great way to make it more cinematic Ellipsis (linguistics) A term referring to "chunks" of time left out of a narrative, signaled in filmmaking by editorial transitions Establishing shot
Cinematography was key during the silent movie era; with no sound apart from background music and no dialogue, the films depended on lighting, acting, and set. The American Society of Cinematographers (ASC) was formed in 1919 in Hollywood, and was the first trade society for cinematographers. Similar societies were formed in other countries.
In his book, The Traumatic Screen: The Films of Christopher Nolan (2020), film scholar Stuart Joy builds on contemporary psychoanalytic film theory to consider "the function and presentation of trauma" across Nolan's work, arguing that the complexity, thematic consistency, and fragmentary nature of his films mimic the structural operation of ...
Composers study music theory to understand how to produce effects and structure their own works. Composers may study music theory to guide their precompositional and compositional decisions. Broadly speaking, music theory in the Western tradition focuses on harmony and counterpoint, and then uses these to explain large scale structure and the ...
After the Silents: Hollywood Film Music in the Early Sound Era, 1926–1934. New York: Columbia University Press, 2014. Spande, Robert. "The Three Regimes – A Theory of Film Music" Archived November 17, 2021, at the Wayback Machine Minneapolis, 1996. Stoppe, Sebastian, ed. Film in concert: film scores and their relation to classical concert ...
Classic Hollywood is a style of cinematography characterized by its use of highly polished, studio-produced films with glamorous sets, bright lighting, and romanticized narratives. Film Noir is a style of cinematography that is characterized by its use of stark contrast and chiaroscuro lighting, low-key lighting, and a dark, brooding atmosphere.
A film editor must creatively work with the layers of images, story, dialogue, music, pacing, as well as the actors' performances to effectively "re-imagine" and even rewrite the film to craft a cohesive whole. Editors usually play a dynamic role in the making of a film.