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Cubism and modern European art was introduced into the United States at the now legendary 1913 Armory Show in New York City, which then traveled to Chicago and Boston. In the Armory show Pablo Picasso exhibited La Femme au pot de moutarde (1910), the sculpture Head of a Woman (Fernande) (1909–10), Les Arbres (1907) amongst other cubist works.
Cubism was an avant-garde art movement that revolutionized European painting and sculpture in the early 20th century. The essence of cubism is that instead of viewing subjects from a single, fixed angle, the artist breaks them up into a multiplicity of facets, so that several different aspects/faces of the subject can be seen simultaneously.
See Art periods for a chronological list.. This is a list of art movements in alphabetical order. These terms, helpful for curricula or anthologies, evolved over time to group artists who are often loosely related.
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Analytic cubism was jointly developed by Picasso and Georges Braque, exemplified by Violin and Candlestick, Paris, from about 1908 through 1912. [9] Analytic cubism, the first clear manifestation of cubism, was followed by Synthetic cubism , practiced by Braque, Picasso, Fernand Léger , Juan Gris , Albert Gleizes , Marcel Duchamp and several ...
Henri-Robert-Marcel Duchamp (UK: / ˈ dj uː ʃ ɒ̃ /, US: / dj uː ˈ ʃ ɒ̃, dj uː ˈ ʃ ɑː m p /; [1] French: [maʁsɛl dyʃɑ̃]; 28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art.
Jacob Armstead Lawrence (September 7, 1917 – June 9, 2000) was an American painter known for his portrayal of African-American historical subjects and contemporary life. . Lawrence referred to his style as "dynamic cubism", an art form popularized in Europe which drew great inspiration from West African and Meso-American a
The collective phenomenon of Cubism once again—now in its advanced revisionist form—became part of a widely discussed development in French culture. Crystal Cubism was the culmination of a continuous narrowing of scope in the name of a return to order ; based upon the observation of the artists relation to nature, rather than on the nature ...