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Okay Hot-Shot, Okay! (sometimes Okay Hot-Shot) is a 1963 pop art painting by Roy Lichtenstein that uses his Ben-Day dots style and a text balloon.It is one of several examples of military art that Lichtenstein created between 1962 and 1964, including several with aeronautical themes like this one.
Bedroom at Arles is a 1992 oil and Magna on canvas painting by Roy Lichtenstein based on the Bedroom in Arles series of paintings by Vincent van Gogh. He painted it in July 1992. [1] It is the only quotation of another painting that Lichtenstein did of an interior. It is located on the Fitzhugh Farm in Maryland in the Robert and Jane Meyerhoff ...
Roy Fox Lichtenstein [2] (/ ˈ l ɪ k t ən ˌ s t aɪ n /; October 27, 1923 – September 29, 1997) was an American pop artist.He rose to prominence in the 1960s through pieces which were inspired by popular advertising and the comic book style.
Engagement Ring is a 1961 pop art painting by Roy Lichtenstein. The work is based on the Winnie Winkle series, but Lichtenstein changed both the graphical description and the narrative accompaniment that he presents in a speech balloon . [ 1 ]
I'd Rather Sink) is a 1963 American painting in oil and synthetic polymer paint on canvas by Roy Lichtenstein, based on original art by Tony Abruzzo. The painting is considered among Lichtenstein's most significant works, perhaps on a par with his acclaimed 1963 diptych Whaam! .
Although Grrrrrrrrrrr!! is derived from what Guggenheim Senior Curator Susan Davidson calls a "low-grade comic strip" that is a typical Lichtenstein source, it is representative of Lichtenstein's fascination with "the atomic language of Ben-Day dots, black outlines and the three primary colors as the elementary vocabulary of low-budget commercial imagery."
Look Mickey (also known as Look Mickey!) is a 1961 oil on canvas painting by Roy Lichtenstein.Widely regarded as the bridge between his abstract expressionism and pop art works, it is notable for its ironic humor and aesthetic value as well as being the first example of the artist's employment of Ben-Day dots, speech balloons and comic imagery as a source for a painting.
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