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Vinyl LP preservation is generally considered separate from conservation, which refers to the repair and stabilization of individual discs. Commonly practiced in major sound archives and research libraries that house large collections of audio recordings, it is also frequently followed by audiophiles and home record collectors.
Audio restoration can be performed directly on the recording medium (for example, washing a gramophone record with a cleansing solution), or on a digital representation of the recording using a computer (such as an AIFF or WAV file). Record restoration is a particular form of audio restoration that seeks to repair the sound of damaged ...
Record restoration, a particular kind of audio restoration, is the process of converting the analog signal stored on gramophone records (either 78 rpm shellac, or 45 and 33⅓ rpm vinyl) into digital audio files that can then be edited with computer software and eventually stored on a hard-drive, recorded to digital tape, or burned to a CD or DVD.
What's more, vinyl records are also redefining how we view music as an art form. They're not just about sound; they're physical, tangible art pieces—something people can proudly display, flip ...
The LP (from long playing [2] or long play) is an analog sound storage medium, specifically a phonograph record format characterized by: a speed of 33 + 1 ⁄ 3 rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk.
Vinyl records are easily scratched and vinyl readily acquires a static charge, attracting dust that is difficult to remove completely. Dust and scratches cause audio clicks and pops and, in extreme cases, they can cause the needle (stylus) to skip over a series of grooves, or worse yet, cause the needle to skip backwards, creating an unintentional locked groove that repeats the same 1.8 ...
At the time, as a cost-cutting measure, most industry record pressing plants were using recycled or "reground" vinyl, taking old and unsold records, cutting out the center with the paper labels, then melting the rest down and reusing the material to make new records. Such "reground" vinyl records typically sounded much noisier and scratchier ...
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