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Giotto di Bondone (Italian: [ˈdʒɔtto di bonˈdoːne]; c. 1267 [a] – January 8, 1337), [2] [3] known mononymously as Giotto [b], was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic and Proto-Renaissance period. [7]
Giotto's bell tower seen from the top of the Duomo. View from the tower. Giotto's Campanile (/ ˌ k æ m p ə ˈ n iː l i,-l eɪ /, also US: / ˌ k ɑː m-/, Italian: [kampaˈniːle]) is a free-standing campanile (bell tower) that is part of the complex of buildings that make up Florence Cathedral on the Piazza del Duomo in Florence, Italy.
Giotto made the closest approach to Halley's Comet and provided the best data for this comet. [13] Giotto was the first spacecraft: to provide detailed pictures of a cometary nucleus. [14] to make a close flyby of two comets. Young and active comet Halley could be compared to old comet Grigg–Skjellerup.
The Scrovegni Chapel was built as a private chapel next to the Eremitani Monastery by the wealthy Scrovegni family and consecrated in 1305. Between 1304 and 1306, Giotto decorated the interior walls of the chapel with a series of frescoes depicting scenes from the Life of Jesus.
Lubbock, Jules, Storytelling in Christian art from Giotto to Donatello, 2006, Yale University Press, ISBN 0300117272, google books "Moioli et al.": P. Moioli, C. Pelosi, C. Seccaroni, "The diagnostic analysis for the study and restoration of the mosaic fragment with an Angel from Giotto’s Navicella", Atti del Convegno "Riflessioni e trasparenze.
Giotto's work thus falls in the period from 25 March 1303 to 25 March 1305. Model of the interior of the chapel, towards entrance Towards the apse and altar. Giotto, who was born around 1267, was 36–38 years old when he worked at Enrico Scrovegni's chapel.
The Approval, on the other hand, is very similar to Giotto's fresco in the Basilica of Saint Francis of Assisi Innocence III Confirms the Franciscan Order and is placed in a similar room with arches and shelves to create perspective. The Sermon stands out for its simplicity and abstraction, thanks to its gold background without decorations.
Two of the works in Munich, the Last Supper and the Crucifixion. The Life of Christ is a series of seven paintings in tempera and gold on panel, attributed to Giotto and dating to around 1320–1325.