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Approximately 70% of linen production in the 1990s was for apparel textiles, whereas in the 1970s only about 5% was used for fashion fabrics. [45] Linen uses range across bed and bath fabrics (tablecloths, bath towels, dish towels, bed sheets); home and commercial furnishing items (wallpaper/wall coverings, upholstery, window treatments ...
Wool remained the most popular fabric for all classes, followed by linen and hemp. [61] Wool fabrics were available in a wide range of qualities, from rough undyed cloth to fine, dense broadcloth with a velvety nap; high-value broadcloth was a backbone of the English economy and was exported throughout Europe. [68] Wool fabrics were dyed in ...
A close-up of the texture of hand-woven linen fabric made in the early 20th century in the Balkans. An illustration of how to darn linen, from the Encyclopedia of Needlework (1884) by Thérèse de Dillmont. A French armoire with home linens arranged in a traditional manner, with embroidered dust covers over the shelves.
Cloth is finished by what are described as wet process to become fabric. The fabric may be dyed, printed or decorated by embroidering with coloured yarns. The three main types of fibres are natural vegetable fibres, animal protein fibres and artificial fibres. Natural vegetable fibres include cotton, linen, jute and hemp.
Osnaburg fabric may have been first imported into English-speaking countries from the German city of Osnabrück, from which it gets its name. Scottish weavers produced a coarse lint- or tow-based linen imitation in the later 1730s, which quickly became the most important variety in east-central Scotland.
Silk, wool, and linen fabrics were being eclipsed by cotton which became the most important textile. Innovations in carding and spinning enabled by advances in cast iron technology resulted in the creation of larger spinning mules and water frames. The machinery was housed in water-powered mills on streams.
Handkerchief linen is a light form of linen, and this pleating process used 9 yards of the material to create 1 yard of pleated linen. [7] The pleating of the fabric meant that unlike other linen garments, ones made with pleated linen were uncrushable, could be packed without becoming creased and maintained their shape.
Stuffed quilting, or trapunto, was known in Sicily as early as the 13th century. [2] One of the earliest surviving examples of trapunto quilting is the 1360-1400 Tristan Quilt, a Sicilian quilted linen textile surviving as two fragments, representing scenes from the story of Tristan and Isolde; one part of which is housed in the Victoria and Albert Museum and the other in the Bargello in Florence.