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Writing coaches, teachers, and authors of creative writing books often speak of the writer's voice as distinguished from other literary elements. [ 52 ] [ 53 ] In some instances, voice is defined nearly the same as style; [ 54 ] [ 55 ] in others, as genre , [ 56 ] literary mode , [ 57 ] [ 58 ] point of view, [ 59 ] mood , [ 60 ] or tone.
Narration is the use of a written or spoken commentary to convey a story to an audience. [1] Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events.
For example, novels with a horror theme can have previously calm, uninvolved individuals coming upon an extreme situation, such as violence involving the supernatural, growing more and more passionate in a way that turns the entire writing increasingly emotional. Official and technical documentation tends to employ a formal tone throughout the ...
The narrator is still distinct from the author and must behave like any other character and any other first-person narrator. Examples of this kind of narrator include Jim Carroll in The Basketball Diaries and Kurt Vonnegut, Jr. in Timequake (in this case, the first-person narrator is also the author). In some cases, the narrator is writing a ...
The author uses narrative and stylistic devices to create the sense of an unedited interior monologue, characterized by leaps in syntax and punctuation that trace a character's fragmentary thoughts and sensory feelings. The outcome is a highly lucid perspective with a plot. Not to be confused with free writing. An example is Ulysses. At one ...
The author’s desire to put pieces of herself in Catalina started as an experiment with prose. She wanted to write in first-person, in a “voice that is so honey-sweet that I’m able to sneak ...
The principal aim of collaborative poetry is to create poems with multiple collaborations from various authors. In a common example of collaborative poetry, there may be numerous authors working in conjunction with one another to try to form a unified voice that can still maintain their individual voices.
Free indirect discourse can be described as a "technique of presenting a character's voice partly mediated by the voice of the author". In the words of the French narrative theorist Gérard Genette, "the narrator takes on the speech of the character, or, if one prefers, the character speaks through the voice of the narrator, and the two instances then are merged". [1]