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The passé composé is formed by the auxiliary verb, usually the avoir auxiliary, followed by the past participle.The construction is parallel to that of the present perfect (there is no difference in French between perfect and non-perfect forms - although there is an important difference in usage between the perfect tense and the imperfect tense).
Auxiliary verb: avoir (arriver, entrer, monter, passer, rester, rentrer, retourner, and tomber use être) Spelling rules: In -cer verbs, the c becomes a ç before endings that start with a or o , to indicate that it is still pronounced /s/ (je déplac-e - nous déplaç-ons); similarly, in -ger verbs, the g becomes ge before such endings, to ...
Aside from être and avoir (considered categories unto themselves), French verbs are traditionally [1] grouped into three conjugation classes (groupes): . The first conjugation class consists of all verbs with infinitives ending in -er, except for the irregular verb aller and (by some accounts) the irregular verbs envoyer and renvoyer; [2] the verbs in this conjugation, which together ...
The passé simple (French pronunciation: [pase sɛ̃pl], simple past, preterite, or past historic), also called the passé défini (IPA: [pase defini], definite past), is the literary equivalent of the passé composé in the French language, used predominantly in formal writing (including history and literature) and formal speech.
French has a complex system of personal pronouns (analogous to English I, we, they, and so on).When compared to English, the particularities of French personal pronouns include:
This stands in contrast to the practice, as for example occurs in Mozart's Italian- and German-language operas, of having a collection of songs interrupted by recitative or spoken dialogue. [4] Examples of the modern trend towards through-composed works in musical theater include the works of Andrew Lloyd Webber and Claude-Michel Schönberg.