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Falstaffian – Sir John Falstaff, Shakespeare's fictional character; Faradic – Michael Faraday; Fatimid – Fatima as-Zahra (as in Fatimid caliphate) Faulknerian – William Faulkner; Faustian – Faust, Goethe's fictional character (as in Faustian deal) Felliniesque – Federico Fellini; Flavian – Titus Flavius Vespasianus (as in Flavian ...
When used as proper adjectives they are normally capitalized, for example Victorian, Shakespearean, and Kafkaesque. [15] [16] However, some eponymous adjectives and noun adjuncts are nowadays entered in many dictionaries as lowercase when they have evolved a common status, no longer deriving their meaning from the proper-noun origin. [17]
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
An adjective (abbreviated adj.) is a word that describes or defines a noun or noun phrase.Its semantic role is to change information given by the noun. Traditionally, adjectives are considered one of the main parts of speech of the English language, although historically they were classed together with nouns. [1]
Some take either form (e.g., commoner, more common) while others take only one or the other (e.g., happier but usually not more happy). Longer adjectives derived from Greek or Latin and most adjectives of three or more syllables typically mark degree of comparison with more and most (e.g., more expensive but not expensiver). [25]
For instance, for a large portion of names ending in -s, the oblique stem and therefore the English adjective changes the -s to a -d, -t, or -r, as in Mars–Martian, Pallas–Palladian and Ceres–Cererian; [note 1] occasionally an -n has been lost historically from the nominative form, and reappears in the oblique and therefore in the English ...
Stock characters from Commedia dell'Arte — which gave each character a standard costume, so easily identifiable — continued across many types of theater, dramatic storytelling, and fiction. A stock character is a dramatic or literary character representing a generic type in a conventional, simplified manner and recurring in many fictional ...
Context-free grammars are a special form of Semi-Thue systems that in their general form date back to the work of Axel Thue. The formalism of context-free grammars was developed in the mid-1950s by Noam Chomsky , [ 3 ] and also their classification as a special type of formal grammar (which he called phrase-structure grammars ). [ 4 ]