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According to Dostoevsky, "the most basic, most rudimentary spiritual need of the Russian people is the need for suffering, ever-present and unquenchable, everywhere and in everything." [3] Gogol and his contemporaries established literature as Russia's new weapon of choice, the tool by which it could inform itself of its greatness and urge the ...
Notes from Underground (pre-reform Russian: Записки изъ подполья; post-reform Russian: Записки из подполья, Zapíski iz podpólʹya; also translated as Notes from the Underground or Letters from the Underworld) [a] is a novella by Fyodor Dostoevsky first published in the journal Epoch in 1864.
Dostoevsky observed that "the whole of Russia is talking about my Poor Folk". [33] As soon as he read the manuscript for Poor Folk , Belinsky named it Russia's first "social novel". [ 34 ] Alexander Herzen praised the book in his essay "About the Progress of Revolutionary Ideas in Russia", noting the book's " socialistic tendencies and ...
Crime and Punishment [a] is a novel by the Russian author Fyodor Dostoevsky.It was first published in the literary journal The Russian Messenger in twelve monthly installments during 1866. [1]
The Brothers Karamazov (Russian: Бра́тья Карама́зовы, Brát'ya Karamázovy, pronounced [ˈbratʲjə kərɐˈmazəvɨ]), also translated as The Karamazov Brothers, is the last novel by Russian author Fyodor Dostoevsky.
Portrait of Fyodor Dostoyevsky in 1872 painted by Vasily Perov. The themes in the writings of Russian writer Fyodor Dostoevsky (frequently transliterated as "Dostoyevsky"), which consist of novels, novellas, short stories, essays, epistolary novels, poetry, [1] spy fiction [2] and suspense, [3] include suicide, poverty, human manipulation, and morality.
Dostoevsky's intention with "The Legend of the Grand Inquisitor" was to unmask the fundamental idea that lay behind the entire movement in Russia toward atheism, nihilism, rationalism and materialism, and away from the true Christian faith that was the spiritual heart of the nation. [7]
According to literary theorist and Dostoevsky scholar Mikhail Bakhtin, The Dream of a Ridiculous Man is a modern manifestation of the ancient literary genre Menippean satire, and touches on almost all the themes characteristic of Dostoevsky's large-scale works. [2]