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The Boston Academy of Music moves from education and sacred song into the cultivation of instrumental music by recognized European masters. [62] John Hill Hewitt and other composers of popular parlor songs begin adopting influences from Italian opera, bringing a "new source of grace and intensity, as well as a tone of accessible elevation. [63]
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Sinful Tunes and Spirituals: Black Folk Music to the Civil War. University of Illinois Press. ISBN 0-252-07150-6. Erbsen, Wayne (2003). Rural Roots of Bluegrass: Songs, Stories and History. Pacific, Missouri: Mel Bay Publications. ISBN 0-7866-7137-8. Hall, Roger L. (1989). Music in Stoughton: A Brief Survey. PineTree Press. Hansen, Richard K ...
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Carl Philipp Emanuel Bach – Fantasia in D minor, H.224; Johann Christian Bach. 6 Keyboard Concertos, Op. 7; 6 Quartets, Op. 8; Luigi Boccherini – Cello Concerto in D major, G.479
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The second type of music is the secular instrumental music in the Moravian collections. This includes some music by Moravian composers, but by far the greater part of the instrumental music is not by Moravians, instead by composers who were the most popular ones in Europe in the middle 18th century and later.