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Feminist literary criticism is literary criticism informed by feminist theory, or more broadly, by the politics of feminism. It uses the principles and ideology of feminism to critique the language of literature.
Feminist literary criticism is literary criticism informed by feminist theories or politics. Its history has been varied, from classic works of female authors such as George Eliot , Virginia Woolf , [ 71 ] and Margaret Fuller to recent theoretical work in women's studies and gender studies by " third-wave " authors.
Feminist criticism of children's literature is therefore expected, since it is a type of feminist literature. [10] Feminist children's literature has played a critical role for the feminist movement, especially in the past half century. In her book Feminism Is for Everybody: Passionate Politics, bell hooks states her belief that all types of ...
The work of Julia Kristeva, a feminist psychoanalyst and philosopher, and Bracha Ettinger, [119] artist and psychoanalyst, has influenced feminist theory in general and feminist literary criticism in particular.
This strand of feminist literary theory originated in France in the early 1970s through the works of Cixous and other theorists including Luce Irigaray, [2] Chantal Chawaf, [3] [4] Catherine Clément and Julia Kristeva, [5] [6] and has subsequently been expanded upon by writers such as psychoanalytic theorist Bracha Ettinger.
While previous figures like Virginia Woolf and Simone de Beauvoir had already begun to review and evaluate the female image in literature, [2] and second-wave feminism had explored phallocentrism and sexism through a female reading of male authors, gynocriticism was designed as a "second phase" in feminist criticism – turning to a focus on, and interrogation of female authorship, images, the ...
Critical theory is a social, historical, and political school of thought and philosophical perspective which centers on analyzing and challenging systemic power relations in society, arguing that knowledge, truth, and social structures are fundamentally shaped by power dynamics between dominant and oppressed groups. [1]
Felski is a prominent scholar in the fields of aesthetics and literary theory, feminist theory, modernity and postmodernity, and cultural studies. She is closely associated with the field of postcritique , a school of thought that tries to find new forms of reading and interpretation that go beyond the methods of critique , critical theory ...