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The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
The lyrics of "When You Were Sweet Sixteen" are typical of the sentimental ballads of the 1890s. The form is strophic, two verses with a chorus. Chorus: I love you as I never lov'd before, Since first I met you on the village green Come to me, or my dream of love is o'er. I love you as I lov'd you When you were sweet, when you were sweet ...
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
Guitar Hero II challenges players to recreate the lead guitar portions of many rock music songs using a specially designed guitar-shaped controller, based on either a Gibson SG for the PlayStation 2 version, a Gibson Explorer for the Xbox 360 version, or else a standard console controller. As notes scroll down the screen towards the player, the ...
You Can Play These Songs with Chords is an early (1996–97) demo from the rock band Death Cab for Cutie, which at the time consisted entirely of founder Ben Gibbard. This demo was originally released on cassette by Elsinor Records.
Mott the Hoople, whom Queen was supporting, are referenced in the line: Down in the city, just Hoople and me. It also appeared on the 1981 compilation album Greatest Hits and the 1997 compilation album Queen Rocks. [7] In March 2005, Q magazine placed "Now I'm Here" at number 33 in its list of the 100 Greatest Guitar Tracks. [8]
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John Watson Jr. (February 3, 1935 – May 17, 1996), [3] often known professionally as Johnny "Guitar" Watson, was an American musician.A flamboyant showman and electric guitarist in the style of T-Bone Walker, his recording career spanned 40 years, and encompassed rhythm and blues, funk and soul music.