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Borankana [pronunciation?] refers to a traditional music in Botswana which is usually practiced or performed by Bakwena tribe in the Kweneng District of Botswana . [1] Borankana is strongly connected to the culture of Botswana.The other used name for Borankana is Phathisi. Borankana is traditionally performed by both elderly people and young ...
Tsutsube [pronunciation?] is a traditional dance and accompanying music [1] in Botswana which is practiced by Basarwa or San people. [2] Tsutsube is performed in four ritualistic categories or stages which are the first kill, puberty, marriage and trance.
Setapa music dance exists in three different types, which are: Setapa sa dipitse : this is a kind of dance which is performed and produces the sound of a galloping horse in the ground. Setapa sa phathisi : Setapa which is performed whilst the lower part of the trouser is tied with a peg or the use of short pants made of animal skin usually ...
Tswana people classify their vocal music as 'dipina' (songs) according to their function within various social institutions for instance, music produced during initiation ceremonies is known as 'moamo'. The performance of much of the Tswana traditional music is related to the agricultural season of the year. The seasons are as follows:
Musicians and music groups from Botswana This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
Botswana has relatively few native popular music artists, and most of the country's popular music is imported from Europe, South Africa, and the United States. [25] American rock and gospel have a presence in Botswana. [8] Kwaito music is commonly performed in South African languages like Afrikaans and Zulu, as well as American English. [8]
"Kulenyane" was the first traditional song to be played on urban radios stations which used to shun traditional music. The song's popularity saw the late South African DJ Bujo Mujoreproducing "Kulenyane" as a house song, while another renowned South African gospel musician, Solly Moholo, bought the rights of the song to make his own "Mokhukhu" version of it.
In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for religious ceremonies of birth, naming, rites of passage, marriage and funerals. [1]