Search results
Results From The WOW.Com Content Network
Florence Vandamm (1883–1966), British photographer; Meade Brothers Photographers, 233 Broadway near Astor house, New York. Established 1840. [4] Nadar; Julius Cornelius Schaarwächter Tony Bruno (photographer), signed his work: "Bruno of Hollywood, NYC" [1] J Wood, Photo. 208 Bowery, New York [5]
This is a non-diffusing parent category of Category:19th-century African-American photographers and Category:19th-century Native American photographers and Category:19th-century American women photographers The contents of these subcategories can also be found within this category, or in diffusing subcategories of it.
Richard J. Arnold (June 28, 1856 – May 19, 1929), also known as R. J. Arnold, was an English American 19th-century pioneer of early California photography. He is known for his large-format glass-plate photography and as the designated photographer for the Hotel Del Monte in Monterey, California.
Pages in category "19th-century photographers" The following 24 pages are in this category, out of 24 total. This list may not reflect recent changes. *
19th-century photographers who were among the first in developing the medium; generally this means people working prior to 1880. The category should not be used for later photographers who help to advance particular aspects or genres of photography.
December 1895 – In France, Auguste and Louis Lumière hold their first commercial screenings of films shot with their Cinématographe, a lightweight, hand-held motion picture camera. January 1896 – In Britain, Birt Acres and Robert W. Paul develop their own film projector, the Theatrograph (later known as the Animatograph ).
19th; 20th; 21st; 22nd; 23rd; 24th; Pages in category "19th-century English photographers" The following 143 pages are in this category, out of 143 total. ...
View from the Window at Le Gras 1826 or 1827, believed to be the earliest surviving camera photograph. [1] Original (left) and colorized reoriented enhancement (right).. The history of photography began with the discovery of two critical principles: The first is camera obscura image projection; the second is the discovery that some substances are visibly altered by exposure to light. [2]