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Writing lacquer box with Irises at Yatsuhashi, by Ogata Kōrin, Edo period (National Treasure) Inro in maki-e lacquer, Edo period, 18th century. Lacquerware (漆器, shikki) is a Japanese craft with a wide range of fine and decorative arts, as lacquer has been used in urushi-e, prints, and on a wide variety of objects from Buddha statues to bento boxes for food.
Japanese lacquerware has a long history, back as far as the Jōmon period, because of decorative value and the quality as protective finish. [78] [79] Initially lacquer was used to enhance properties of utilitarian objects such as watertight drinking vessels, cooking and household goods. [80]
Lacquerware is a longstanding tradition in Japan [6] [7] and, at some point, kintsugi may have been combined with maki-e as a replacement for other ceramic repair techniques. While the process is associated with Japanese craftsmen, the technique was also applied to ceramic pieces of other origins including China, Vietnam, and Korea. [8]
The term "Japanning" in the 17th century is a term for the technique used by Europe to emulate Asian lacquer, derived from the then famous Japanese lacquer. The general characteristic of Japanese lacquerware is the widespread use of various Maki-e techniques compared to other countries. As a result, there are many works in which relatively ...
Wajima-nuri represents a form and style of lacquerware which is distinct from other Japanese lacquerware. The main distinguishing feature of Wajima-nuri is the durable undercoating achieved by the applying multiple layers of urushi mixed with powdered diatomaceous earth ( ji-no-ko ) onto delicate zelkova wooden substrates.
Ryukyuan lacquerware is one of the chief artistic products of the Ryukyu Islands (today Okinawa Prefecture of Japan), and represents a form and style of lacquerware which is distinct from that of the surrounding cultures. Though distinct in its own ways, it is strongly influenced by Chinese, Japanese, and Southeast Asian modes.