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Kpanlogo (pronounced "PAHN-loh-goh"), traditionally named Tswreshi or Treshi is a type of barrel drum that is associated with Kpanlogo music, and is usually played with two hands. The drum originates from the Ga people of the Greater Accra Region in Ghana, West Africa. Kpanlogo is the name of a rhythm played on the tswreshi.
Some African drums can even imitate consonants by hitting the drum with a stick or hand at different angles and with different parts of the stick or hand. The Ewe also play a pair of two drums called atumpan (pronounced ah-toom-pahn), which are used all over Ghana as talking drums. The atumpan player stands up and plays the drum with two sticks ...
The most well known of southern Ghanaian drum traditions is the kete and adowa drum and bell ensembles. Music can also be linked to traditional religions. An exception to this rule is the Akan tradition of singing with the Seperewa harp-lute which had its origins in the stringed harps of the north and west.
Kpanlogo music uses three types of instruments: nono (metal bell), fao (gourd rattle), and kpanlogo drums. Nono plays the key pattern or timeline of the music, supported by the fao. It is common to have three kpanlogo drums in an ensemble, in the roles of "male voice", "female voice" and "master drum". Main kpanlogo bell pattern
Video showing a pair of Aburukuwa drums being played. The Instruments of Ho-Asogli; Village Rainbows: Words from Africa - the "Home of All Mankind" Archived 2012-03-16 at the Wayback Machine - Containing photos of Aburukuwa and its sister drums. "Asante Kete Drumming: Music from Ghana" - Examples of Asante drumming.
Ensembles using the talking drum play a type of music that is called dundun after the drum, [32] using various sizes of tension drum along with special band drums (ogido). The leader or oniyalu uses the drum to "talk" by imitating the tonality of Yoruba language. Yoruba music traditionally centred on folklore and spiritual/deity worship ...
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Ewe music is the music of the Ewe people of Togo, Ghana, and Benin, West Africa. Instrumentation is primarily percussive and rhythmically the music features great metrical complexity. Its highest form is in dance music including a drum orchestra, but there are also work (e.g. the fishing songs of the Anlo migrants [1]), play, and other songs.