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"Isn't She Lovely" is a song by Stevie Wonder from his 1976 album, Songs in the Key of Life. The lyrics celebrate the birth of his daughter, Aisha Morris. Wonder collaborated on the song with Harlem songwriter and studio owner Burnetta "Bunny" Jones. [1]
Blind since shortly after his birth, Wonder was a child prodigy who signed with Motown's Tamla label at the age of 11, where he was given the professional name Little Stevie Wonder. Wonder's single " Fingertips " was a No. 1 hit on the Billboard Hot 100 in 1963, when he was 13, making him the youngest solo artist ever to top the chart.
By 1976, Stevie Wonder had become one of the most popular figures in R&B and pop music, not only in the U.S., but worldwide. Within a short space of time, the albums Talking Book, Innervisions and Fulfillingness' First Finale were all back-to-back-to-back top five successes, with the latter two winning the Grammy Award for Album of the Year in 1974 and 1975, respectively.
Stevie Wonder sings a lovely song while his son performs a lovely foxtrot on "Dancing With the Stars: Juniors."
Written by Stevie Wonder and Lee Garrett "Let's Get Serious" is the title track to Jermaine Jackson's 1980 album, and upon its release, it became his first song to top the R&B chart.
Isn't She Lovely" (Stevie Wonder) (From Songs in the Key of Life) – 3:20 "I Just Called to Say I Love You" (Wonder) (From the Original Motion Picture Soundtrack The Woman in Red ) – 4:22 "Superstition" (Wonder) (From Talking Book ) – 4:00
Parton then sang a cover version of Stevie Wonder's "Isn't She Lovely" which he again co-produced with Hatch. When the original contracted singer (Marcel King from Sweet Sensation) was unable to re-create Wonder's vocal nuances, rather than dispose of the backing track, Parton sang the lead vocal, and it was decided to issue this version. [1]
A reviewer from Playboy wrote: "Stevie Wonder's Innervisions is a beautiful fusion of the lyric and the didactic, telling us about the blind world that Stevie inhabits with a depth of musical insight that is awesome. It's a view that's basically optimistic, a constant search for the 'Higher Ground', but the path is full of snares: dope ('Too ...