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Download as PDF; Printable version; ... Compositions for oboe and piano (4 P) S. ... Pages in category "Compositions for oboe" The following 13 pages are in this ...
A slower middle section leads to a climax in the piano. [2] The final Déploration, marked Très calme (very calm), has a theme like a chorale, introduced in the piano. The entrance of the oboe is marked monotone, and the essentially sad music shifts in tonality towards the close. [2]
An oboe–bassoon–piano trio is a chamber music ensemble made up of one oboe, one bassoon, and one piano, or the name of a piece written for such a group.. The ensemble is similar to the classical piano trio in which the violin is replaced by the oboe and the cello is replaced by the bassoon.
David Reichenberg (13 July 1950 – 10 June 1987) was an American oboist and a highly respected specialist on the baroque oboe. He was born in Cedar Falls, Iowa and learnt the flute, violin, and piano as a child. He began his oboe studies with Dr. Myron E. Russell of the University of Northern Iowa.
Baroque oboe, Stanesby copy. The Oboe sonata in C minor (HWV 366) was composed (c. 1711–1712) by George Frideric Handel for oboe and basso continuo. The work is also referred to as Opus 1 No. 8, and was first published in 1732 by Walsh. Other catalogues of Handel's music have referred to the work as HG xxvii, 29; and HHA iv/18,32. [1]
Camille Saint-Saëns's Oboe Sonata in D major, Op. 166 was composed in 1921, the year of the composer's death. This sonata is the first of the three sonatas that Saint-Saëns composed for wind instruments , the other two being the Clarinet Sonata (Op. 167) and the Bassoon Sonata (Op. 168), written the same year.
The Three Romances for Oboe and Piano, Op. 94 (German: Drei Romanzen) is a composition by Robert Schumann, his only composition for oboe. [1] It was composed in December 1849. The work consists of three short pieces in A-B-A form, and it was written during what was speculated to be one of Schumann's manic episodes .
The oboe d'amore was invented in the eighteenth century and was first used by Christoph Graupner in his cantata Wie wunderbar ist Gottes Güt (1717). Johann Sebastian Bach wrote many pieces—a concerto, many of his cantatas, and the Et in Spiritum sanctum movement of his Mass in B minor—for the instrument.