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He founded and manages "Chymamusique Records" and is signed to the record labels House Afrika & Soul Candi. He was a Mofunk Records member from 2010 to 2013. In DJing, Chymamusique has played internationally, [ 4 ] and shared stages with DJs and producers including Vinny Da Vinci , Ralf Gum, Brazo Wa Afrika, Glen Lewis, QB Smith, Charles ...
This is a list of artists who have been involved with house music, a genre of electronic dance music. This includes artists who have either been very important to the house music genre or have had a considerable amount of exposure (such as in the case of one who has been on a major label). This list does not include little-known local artists. Groups are listed by the first letter in the group ...
Deep house is known for tempos typically from 110 to 125 bpm, [1] [6] [7] muted basslines, spacious use of percussion elements (typically using a Roland TR-909 drum machine), [8] soft keyboard sounds (pads), use of advanced chord structures, ambient mixes, and soulful vocals.
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Soulful house Soulful house is a genre characterised by smooth and soulful vocals, relaxed atmosphere and melodic structure, as well as by influences from soul, jazz and funk. Tracks are distinguished by slower tempos (122 to 127 bpm), keyboards that give a deep sound, similar to the one from chill-out and lounge. House rhythms are often ...
An SNL obsessive, Thompson had long been a fan of the show since his childhood, viewing it as a paradigm-shifting program like Soul Train. [17] When he became a member of the house band for Late Night with Jimmy Fallon in 2009, he began working just two floors down from the show's studio.
Funky house is a subgenre of house music that uses disco and funk samples, a funk-inspired bass line or a strong soul influence, combined with drum breaks that draw inspiration from 1970s and 1980s funk records. [1]
House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 115–130 beats per minute. [11] It was created by DJs and music producers from Chicago's underground club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat.