Search results
Results From The WOW.Com Content Network
Later analysis has concluded that Sulpicia is an adept poet with a very high level of ... of books 1-2 (Cambridge, 1975 ... Three Elegies of Tibullus: 1.1, 1.5 ...
Tibullus book 1 is the first of two books of poems by the Roman poet Tibullus (c. 56–c.19 BC). It contains ten poems written in Latin elegiac couplets , and is thought to have been published about 27 or 26 BC.
By the time Tibullus wrote these poems, Delia (Tibullus's girlfriend in book 1) had disappeared, and another woman called Nemesis had taken her place. Tibullus says he has been in love with her for a year (2.5.119). She is named after Nemesis, the goddess of divine retribution. Like Delia, Nemesis appears to have been a high-class courtesan.
Since book 1 of the Satires was written about 35 BC, it seems unlikely that Horace's Cerinthus is the same as Tibullus's Cornutus, despite the similarity of the situation. [10] Robert Maltby, who believes that the Sulpicia poems and the Garland were not written in the time of Tibullus but much later, argues that the persona of "Cerinthus" is a ...
Horace offers a less-than-serious lament in Odes 3.10 and even threatens the door in 3.26; Tibullus (1.2) appeals to the door itself; in Propertius (1.16), the door is the sole speaker. In Ovid 's Amores (1.6), the speaker claims he would gladly trade places with the doorkeeper, a slave who is shackled to his post, as he begs the door-keeper to ...
In the erotic elegies of Tibullus, the delicatus Marathus wears lavish and expensive clothing. [128] The beauty of the delicatus was measured by Apollonian standards, especially in regard to his long hair, which was supposed to be wavy, fair, and scented with perfume. [ 129 ]
An elegy is a poem of serious reflection, and in English literature usually a lament for the dead. However, according to The Oxford Handbook of the Elegy, "for all of its pervasiveness ... the 'elegy' remains remarkably ill defined: sometimes used as a catch-all to denominate texts of a somber or pessimistic tone, sometimes as a marker for textual monumentalizing, and sometimes strictly as a ...
Morceaux de fantaisie (French for Fantasy Pieces; Russian: Пьесы Фантазии, Pyesy Fantazii), op. 3, is a set of five piano solo pieces composed by Sergei Rachmaninoff in 1892.