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Pakpak people or Batak Pakpak or Pakpak DAIRI are one of the ethnic groups found mainly in North Sumatra, Indonesia.They are scattered in a few regencies and cities in North Sumatra and Aceh, such as Dairi Regency, Pakpak Bharat Regency, Humbang Hasundutan Regency and Central Tapanuli Regency of North Sumatra, and also in Aceh Singkil Regency and Subulussalam, Aceh.
A religious symbol is an iconic representation intended to represent a specific religion, or a specific concept within a given religion. [ 1 ] Religious symbols have been used in the military in many countries, such as the United States military chaplain symbols .
The various Batak cultures differ in their pre-colonial religious ideas as they do in many other aspects of culture. Information about the old religious ideas of the Mandailing and Angkola in southern Batakland is incomplete, and very little is known about the religion of the Pakpak and Simalungun Batak.
A religious image is a work of visual art that is representational and has a religious purpose, subject or connection. All major historical religions have made some use of religious images, although their use is strictly controlled and often controversial in many religions, especially Abrahamic ones.
Needpix - library of more than 1.5 million free, or so-called Public Domain Photos and Illustrations licensed with CC0. PDPics.com – Public domain photo collection with about 7400 high resolution pictures up to 6000x4000. All images licensed under CC0 license. Smithsonian Institution – Open Access – 2.8 million Free Public Domain images ...
Encyclopedia of Tibetan Symbols and Motifs. Serindia Publications. ISBN 1-932476-10-5. Hall, Rebecca S. (2016). "Between the living and the dead: three-tail funeral banners of Northern Thailand". Ars Orientalis. 46: 41– 57. Wise, Tad (2002). Blessings on the Wind: The Mystery & Meaning of Tibetan Prayer Flags. Chronicle Books. ISBN 0-8118-3435-2.
The earliest Buddhist art is from the Mauryan era (322 BCE – 184 BCE), there is little archeological evidence for pre-Mauryan period symbolism. [6] Early Buddhist art (circa 2nd century BCE to 2nd century CE) is commonly (but not exclusively) aniconic (i.e. lacking an anthropomorphic image), and instead used various symbols to depict the Buddha.