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Queen Anne furniture is "somewhat smaller, lighter, and more comfortable than its predecessors," and examples in common use include "curving shapes, the cabriole leg, cushioned seats, wing-back chairs, and practical secretary desk-bookcase pieces."
Mission style is a design that emphasizes simple horizontal and vertical lines and flat panels that accentuate the grain of the wood (often oak, especially quartersawn white oak). People were looking for relief after the excesses of Victorian times and the influx of mass-produced furniture from the Industrial Revolution. [2]
Another distinctive style of Amish furniture is the Soap Hollow School, developed in Soap Hollow, Pennsylvania. These pieces are often brightly painted in red, gold, and black. Henry Lapp was a furniture maker based in Lancaster County, Pennsylvania, and it is his designs that most closely resemble the furniture we think of today as Amish-made ...
Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration .
The first Art Nouveau houses appeared in Brussels in 1893, including the Hotel Tassel designed by Victor Horta.Horta designed not only the house and decor but also the furniture, which featured the same nature-inspired curling whiplash lines which were featured in the architecture, wrought iron balcony and stairway railings, ceramic floors, and door handles.
A William and Mary style cabinet with oyster veneering and parquetry inlays. What later came to be known as the William and Mary style is a furniture design common from 1700 to 1725 in the Netherlands, Kingdom of England, Kingdom of Scotland and Kingdom of Ireland, and later in England's American colonies.
For a quarter of a century, the furniture designs of the rocaille style was dominant, particularly under the influence of Juste-Aurèle Meissonier (1695-1750), the Italian-born architect who became royal architect and designer of Louis XV, and the ornament designer Nicolas Pineau (1684-1754). Under their influence, straight lines disappeared ...
Even of the ceilings conformed to the carved style. There are few grander effects in interior decoration than the intersecting curves and angles of a lofty old Elizabethan ceiling. Of course, in the use of the strap and shield, heraldry and its escutcheons and crests entered largely into the ornament of the Elizabethan.