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Ethnic group Sotho people Basotho King Moshoeshoe I, founder of the Southern Basotho Nation of Lesotho, with his Ministers. Total population c. 7,254,315 (2023 est.) Regions with significant populations South Africa 5,103,205 Lesotho 2,130,110 Botswana 11,000 Eswatini 6,000 Namibia 4,000 Languages Sesotho IsiXhosa, IsiZulu, English, Afrikaans Religion Christianity, Modimo Related ethnic groups ...
Lebollo la basadi also known as female initiation among the Basotho is a rite of passage ritual which marks the transition of girls into womanhood. This activity is still practiced in the Free State, Mpumalanga, Eastern Cape and KwaZulu Natal provinces of South Africa. In Sesotho, lebollo means initiation.
Lebollo la banna is a Sesotho term for male initiation.. Lebollo is a cultural and traditional practice that transitions boys in the Basotho society to manhood. It is a rite of passage where bashanyana or bashemane (transl. "uncircumcised boys") pass puberty and enter adulthood to become monna (transl. "men") by circumcision.
The Sotho-Tswana ethnic group derives its name from the people who belong to the various Sotho and Tswana clans that live in southern Africa. Historically, all members of the group were referred to as Sothos; the name is now exclusively applied to speakers of Southern Sotho who live mainly in Lesotho and the Free State province in South Africa, while Northern Sotho is reserved for Sotho ...
There is a strong link between Sotho music and Sotho poetry. A Sesotho praise poet characteristically uses assonance and alliteration. Eloquence or ‘bokheleke’ is highly valued in the sotho culture and people who possess this skill are respected. The praise poetry (dithoko) is not a musical form but, it is incorporated in most Sesotho songs.
Most frequently heard on the radio are various sub-Saharan AfroPop styles, Sotho Hip-hop, RnB, Deep house, Soulful House, Dancehall, Jazz, kwaito, and reggae. While South African music is generally enjoyed in Lesotho, there is a tremendous following for famo (contemporary Sesotho music, which features the accordion and oil can drum) such as ...
The Basotho monarchy lost its sacred land between 1843 and 1869 to the settlers of the land. There have been multiple unsuccessful political appeals made for the return of the 'lost land'. There has been a rapid re-occupation of the sacred caves in recent years. Local white landowners have been unsuccessful in expelling new pilgrims.
The Sotho display the mokorotlo in their homes, indicating that they uphold the customs and acknowledge their bonds with their Balimo. It also serves to protect the home against danger and other evil influences. The hat is an important part of Sotho cultural attire that is worn to reflect national identity and pride. [3]